Stacie Cassarino's most recent collection, Each Luminous Thing (Persea Books, 2023) won the Lexi Rudnitsky Editor's Choice Award, and was recommended by the New York Times Book Review and the Washington Post Book Club. She is the author of Zero at the Bone (New Issues Press, 2009), which received a Lambda Literary Award and the Publishing Triangle Audre Lorde Award, and a scholarly monograph, Culinary Poetics and Edible Images in Twentieth-Century American Literature (OSU Press, 2018). She is a recipient of the 92NY “Discovery”/The Nation prize and an Astraea Foundation Writers’ Fund Grant, and was a finalist for the Rona Jaffe Foundation Writers’ Award. Her poems have appeared in Poetry, Kenyon Review, Poetry Northwest, AGNI, Gulf Coast, The New Republic, The Slowdown, and elsewhere. She holds a PhD in English from UCLA. She has taught at Smith College, Mount Holyoke College, Middlebury College, UCLA, and Pratt Institute. She lives in Vermont with her three daughters.
Photo: Wally Krantz
Photo: Michelle Leftheris
Persea Books | Cover Art by Isabelle Menin
Winner of the Lexi Rudnitsky Editor’s Choice Award
Recommended “Newly Published Poetry” in The New York Times Book Review, 2023
Stacie Cassarino’s second collection, Each Luminous Thing, explores the joys and thrills and, yes, the terrors of motherhood. These are poems caught between the delights of life and the certainty of death. Cassarino never forgets that there’s nothing truly domestic about being a mother; it’s always an adventure in the natural world — Recommended in The Washington Post Book Club by Book World editor Ron Charles, 2023
a stellar second act to her Lamda Literary Award-winning debut, Zero at the Bone — Matt Sutherland, Foreword Reviews, 2023
Bless this astonishing book—its sacred pursuit of belonging, its staggering contact with beauty, its abiding belief in bearing more deeply the awesomeness and agonies of love’s transformational power. — Geffrey Michael Davis
There are those rare second books—quiet and aching with the labor of their long arrival—that I have been happy to wait and wish for. This is one of them. — Keetje Kuipers
Reviewed by Lisa Russ Spaar, Second Acts: A Second Look at Second Books of Poetry, in The Adroit Journal, 2024
The Ohio State University Press | Cover Art by Ali Silverstein
Nominated for the Lora Romero Prize (ASA) and the James Russell Lowell Prize (MLA)
…an insightful, enthusiastic tutorial on why cross mapping culinary writing (especially cookbooks) and poetry has the potential to cast new light on both sides of the equation… What Cassarino has to offer is something quite different. Culinary Poetics enhances our understanding of why poetry and recipes innately belong together under the rubric of food writing. That alone is no mean feat. —Doris Witt
Cassarino innovatively advances the notion that some cookbooks contain evidence of ‘artistic practice’ or ‘creative sensibilities’ that renders them apt for comparison with poetic texts. —Vivian Nun Halloran
New Issues Press
Winner of a Lambda Literary Award and the Publishing Triangle Audre Lorde Award
Finalist for the Brittingham & Felix Pollack Prize, May Swenson Poetry Award, Carnegie Mellon Prize, Anhinga Prize, New Issues Prize, Beatrice Hawley Award; Semifinalist for the Walt Whitman Award, A. Poulin, Jr. Poetry Prize, Perugia Press Intro Award
Zero At The Bone is a book of awakened sensitivities and passing glances at one’s youthful reflection (sparking everywhere). Its pleasures come from sonorous reckonings with what the eye sees there. — Ron Slate
Of the many ways of knowing the world, Stacie Cassarino in her elegant and poignant first book of poems, Zero at the Bone, reminds us of the primacy of the senses. She tells us ‘our mouths try to get it right’ or that the ‘mouth of the trees’ will swallow us whole, by which she means taste is the most direct authenticator of experience and also the most defenseless because it’s instruments of lips and tongue are eager. As a result, her great pre-occupation is with the vulnerability of human relationships, but as the title of the book suggests, Cassarino is fearless in her explorations of the risks. She knows ‘you’ve got to live like everything will hurt you.' — Michael Collier
Each Luminous Thing | 2023
Culinary Poetics and Edible Images in Twentieth-Century American Literature | 2018
Zero at the Bone | 2009
Poems
First of March, The Slowdown (podcast), 2024
How My Children' Were Made, Poetry Daily, 2024
In the House by the Sea, Poetry, 2023 (audio)
Orca Elegy, TriQuarterly, 2024
June Landscape with Child, Bennington Review, forthcoming
Fireflies in Vermont, The Cortland Review, 2024
Northeastern Tracks, The Greensboro Review, 2023
The Miner Bee, A Literary Field Guide to Northern Appalachia, Todd Davis ed., 2024
Body Electric, Kenyon Review, 2022 (audio)
The Living at Dead Creek, Poetry Northwest, 2022; Poetry Daily, 2022
Malibu Before the Woolsey Fire, Poetry Northwest, 2022 (online)
Summer Solstice, Poetry Foundation; The Writers’ Almanac, NPR, 2011; Earth Medicine: A Field Guide, Merrill Page ed., 2021; All We Know of Pleasure: Erotic Poetry by Women, Enid Shomer, ed., 2018
In the Kitchen, Poetry Foundation; All We Know of Pleasure: Erotic Poetry by Women, Enid Shomer, ed., 2018
Snowshoe to Otter Creek, Poetry Foundation, 2019
Song for the Unborn Mother, Willow Springs, 2011
Spoon to the Sky, Poetry Daily, 2010
Postcard to Vancouver, The Owls, 2009
Cures For Love, AGNI, 2007 (online)
Zero at the Bone, Crazyhorse, 2007
Northwest, Crazyhorse, 2007 (finalist for the Lynda Hull Memorial Poetry Prize); Verse Daily, 2007
Alaska Memoir, Green Mountains Review, 2007
Notes on Vermont, Mantis, 2007
January | Watermark | Mappings | Steeplechase, Small Spiral Notebook, 2006
Firework, Radical Society, 2006; Poetry Foundation
Apple Orchard, Radical Society, 2006
Midwest Eclogue, The Nation, 2005
Early Snow, The New Republic, 2005; Verse Daily
Early December, Vermont, Massachusetts Review, 2005
The Eye’s Understory | Watermap for Birds, 88, 2005
Brooklyn Morning, Gulf Coast, 2005
In that Bright Room, Georgia Review, 2004
Bird of Bone, American Letters & Commentary, 2004
Half June, Comstock Review, 2003 (winner of The Muriel Craft Bailey Memorial Award, Judged by David St. John)
Goldfish Are Ordinary, Comstock Review, 2003; Academy of American Poets
Blue Territory, Columbia: a journal of literature & art, 2003
Spell of Motion, Iowa Review, 2003; Potomac Theatre Project, 2021 (performance)
Crawlspace of the Interior, Indiana Review, 2001
Events
December 10th, 2023 @ 5pm
Launch & Reading at The Vermont Book Shop
Middlebury, VT
February 9th, 2024 @ 7pm
Reading at AWP
Kansas City, Missouri
February 10th, 2024 @ 11am
Book Signing at AWP Book Fair
Kansas City, Missouri
February 28th, 2024 @ 4:30pm
Reading at The Boutelle-Day Poetry Center at Smith College
Northampton, MA
April 10th, 2024 @ 7pm
Reading at The Odyssey Bookshop
South Hadley, MA
April 18th, 2024 @ 7pm
Reading at Brookline Booksmith
Brookline, MA
May 22, 2024
Poetry Workshop
Reading at UCLA
Los Angeles, CA
June 7, 2024 @ 8pm
Reading at Arts at the Armory
Somerville, MA
Courses
First-Year Seminar: Literary Borders / Literary Borders
Creative Writing Workshop: Nonfiction, Fiction, Poetry
Reading Women’s Writing
The American Novel
Writing Between the Genres
Metamorphoses in Literature & Film
The Autobiographical Eye/“I”
American Women Poets
Student Testimonials